Cinematic LUTs for Colorists and Filmmakers.
Who created this LUTs?
These LUTs have been created by Pablo Nordea, cinematographer with more than 10 years of experience as a colorist.
Have been used in projects for international brands such as:
What is D34 and what is it for?
D34 is a LUT to be used in your color management program or directly on set, on your camera or monitor for Blackmagic (PYXIS, BMPCC 4K/6K/6K Pro, URSA) and Sony S-Log3 (FX3, FX30, FX6, FX9). Providing an instantly cinematic look.
It has been designed after observing hundreds of movies, advertisements and video clips. To reduce the current trend in the sector in color calibration variables and be able to apply the latest color techniques quickly and efficiently. Achieving a very attractive cinematic look in just a few clicks.
In addition, it has been created to be used directly on camera or on your field monitor so that on set you can see the final look. Helping to work faster and so that the director or the client can understand how the final scene will look in real time during the shoot.
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Why use D34?
The current industry trend is to use complex LUTs like D34 throughout the entire production process. Since it allows the creative team to make decisions regarding the final look without having to intuit or wait without knowing if the decisions will ultimately be correct or will cost the production time and money.
Who is D34 for?
D34 has been created for colorists, filmmakers, DOPs and creators who are looking to have an analog film look but want to be able to use the advantages that using current film cameras with RAW format provides.
How many D34 LUTs have been create?
We have been create six D34 LUTs that will allow you to give 6 different looks to your videos.
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How to use D34 and what does it include?
Simply apply the LUT directly to the RAW or LOG file and you’ll see the look. From there you can modify and add more variables or leave it as is. Since D34 provides you with changes in color, contrast, saturation, etc. Obtaining a very refined look without having to spend time adjusting the color.
If you want to use it directly on the camera or on your field monitor. D34 works with standard .cube files that you will only have to import to your device using a memory card. Being able to see the final look on the filming set.
Some examples of frames of projects graded with D34
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