Cinematic LUTs for Colorists and Filmmakers.

Who created this LUTs?

These LUTs have been created by Pablo Nordea, cinematographer with more than 10 years of experience as a colorist.

Have been used in projects for international brands such as:

What is D34 and what is it for?

D34 is a LUTs pack to be used in your color management software or directly on set, on your camera or monitor Blackmagic, using the BRAW (like the PYXIS, BMPCC 4K/6K/6K Pro, URSA or Video Assists monitors), RED cameras raw R3D (like the Nikon ZR, Komodo X 6K, V-RAPTOR XE 8K or V-RAPTOR XL [X] 8K) and Sony cameras with S-Log3 (like A7SIII, A7C, A7IV, FX3, FX30, FX2, FX6 or FX9). Providing an instantly cinematic look.

There is also a version of D34 created to work in the standard Rec709 color space. You can’t use it directly in camera but it is compatible with all color calibration / edition softwares and you can use it with RAW or LOG videos created with any camera.

So, you can combine videos created with different cameras like your DJI drone, ProRes created with your iPhone or any other cameras and color grade all of them with these D34 LUTs.

D34 has been designed after observing hundreds of movies, advertisements and video clips. To reduce the current trend in the sector in color calibration variables and be able to apply the latest color techniques quickly and efficiently. Achieving a very attractive cinematic look in just a few clicks.

In addition, it has been created to be used directly on camera or on your field monitor so that on set you can see the final look. Helping to work faster and so that the director or the client can understand how the final scene will look in real time during the shoot.

How many D34 LUTs have been create?

We have been create six D34 LUTs that will allow you to give 6 different looks to your videos.

D34 Natural

This LUT will give us a low contrast levels to the image. Between old school cinema colors and a natural color palette. Perfect for day light shooting. Also it improves skin color tone. Giving a very natural cinematic look with old school touch to your image.

D34 Dream

This LUT will give us the same image contrast levels and color tone of our skin as the D34 Natural. Also, it changes other colors such as the skies or cold color temperatures. Giving a very special cinematic look to your image.

D34 Night Blue

This LUT will change the contrast levels in the image in the shadows. Also it improves skin color tone and it changes the cold color temperatures giving a cyan tone.

D34 Night Green

This LUT will change the contrast levels in the image in the shadows. Also it improves skin color tone and it changes the cold color temperatures giving a green tone.

D34 Night Natural

This LUT will change the contrast levels in the image in the shadows. Also it improves skin color tone but this version doesn’t change the cold color temperatures, giving a natural tone to all the lights.

D34 Black&White

This LUT will give us a big image contrast levels in the shadows and decrease completely the color saturation. Giving a very special cinematic B&W look to your image.

How to use D34 and what does it include?

Simply apply the LUT directly to the RAW or LOG file and you’ll see the look. From there you can modify and add more variables or leave it as is. Since D34 provides you with changes in color, contrast, saturation, etc. Obtaining a very refined look without having to spend time adjusting the color.

If you want to use it directly on the camera or on your field monitor. D34 works with standard .cube files that you will only have to import to your device using a memory card. Being able to see the final look on the filming set.

Some examples of frames of projects graded with D34